Happy Publication Day to Ellen Chang-Richardson and their extraordinary debut poetry collection, Blood Belies (Wolsak & Wynn, 2024).
Chang-Richardson writes of race, of injury and of belonging in stunning poems that fade in and out of the page. History swirls through this collection like a summer storm, as she brings her father’s, and her own, stories to light, writing against the background of the institutional racism of Canada, the Chinese Exclusion Act, the head tax and more. From Taiwan in the early 1990s to Oakville in the late 1990s, Toronto in the 2010s, Cambodia in the mid-1970s and Ottawa in the 2020s, Blood Belies takes the reader through time, asking them what it means to look the way we do? To carry scars? To persevere? To hope?
Ellen Chang-Richardson (they/them) is an award-winning poet of Taiwanese and Chinese Cambodian descent whose multi-genre writing has appeared in Augur, The Ex-Puritan, The Fiddlehead, Grain, third coast magazine, Vallum Contemporary, Watch Your Head and more.
Born in Toronto, Ontario, they were raised in Oakville, Ontario and São Paulo, Brazil, and spent their most formative years growing up in Shanghai, China. A third culture kid at heart, Ellen's writing is informed by their love of contemporary art, their concern with the climate crisis, and their experience moving through the world as they are.
The co-founder of Riverbed Reading Series, an editor for Room and long con magazine, and a member of the poetry collective VII, Ellen is currently based in Ottawa, Canada, on the unceded territory of the Algonquin Nation. You can usually find them baking sourdough bread from their starter, Bubbles, or biking the riverside trails on their single-speed.
@river_street_writes
@ehjchang
@wolsakandwynn
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